
“All I had to do and could do was to paint as I like, but somehow I made myself believe that I had to back it up with logics and theories. And I was over-reacting because I couldn’t. What is … Continue reading
“All I had to do and could do was to paint as I like, but somehow I made myself believe that I had to back it up with logics and theories. And I was over-reacting because I couldn’t. What is … Continue reading
Nothing is beautiful when it’s brand-new. Connoisseur says “if you see it, the parts where most used gets worn out the fastest, that’s where the under-layer of black lacquer surfaces. if these are to show in any other unnatural parts, … Continue reading
Does art have to be original? “this is, after all, what people love in art. The same is true of literary composition. While bearing resemblance to the original, it should have stylisation; this makes it art, and is what delights … Continue reading
Some may argue that these artifacts created with aesthetic conscience and intentions are much more advanced than those without. I, however, must tell you that is a common mistake which we, of the modern era of knowledge and science, tend … Continue reading
To put it simply, “sabi” is based on nothing-ness, whereas “wabi” is a contrastive idea. It is “small” against “vast”; “subdued” against “colourful”; “deficient” against “abundant”; “modest” against “luxurious”. Yet, somewhat feeling self-superiority. (“Sen-no-Rikyu” written by Junzo KARAKI , writer … Continue reading
That is what I call mastership. I actually would draw the parts that are not meant to stand out with much intent care, as if I am tanning leather with my brush. So that the parts I really want audience … Continue reading
I even feel certain hesitation towards using the word “Mingei” as adjectives. If we were to describe something as “Mingei-ish”, it is already not the true “Mingei”. Simple and honest “plain paper” would make the genuine Mingei product. If the … Continue reading