Nothing is beautiful when it’s brand-new. Connoisseur says “if you see it, the parts where most used gets worn out the fastest, that’s where the under-layer of black lacquer surfaces. if these are to show in any other unnatural parts, … Continue reading
That is what I call mastership. I actually would draw the parts that are not meant to stand out with much intent care, as if I am tanning leather with my brush. So that the parts I really want audience … Continue reading
一番美しいものは 別れの言葉であり 夕焼けの空だというが それはいずれも終わりの前であり 無心の一時である 超えた境地でもあろう
An extraordinary hardship/ Yet extraordinary reward I may harvest little in the end / Still enjoy simple cultivation Beneath deep winter snow / There lies gentle spring flower Always remember the first day / and everyday is a new challenge. … Continue reading
Nothing you create is going to be more than who you are. (Rikizo MUNEHIRO) 人は自分以上のものを織ることはできない （宗廣力三）
「どうあっても必然な制約に従うということは 人間が人間の犯す過ちから 開放されることを意味してくる」 （柳宗悦）
フィリピンは混ざっている。富も貧も、楽も悲も。 私達がまったいらな眼鏡で覗き込もうとするのを、優しく拒む。
Levi=Strauss makes it clear that “artists” are not necessarily the ones to create objects with their clear intentions; they do not or cannot consciously create their art. Rather, the inspiration for the creativity may be triggered by the exact objects … Continue reading
Liberal arts started off as, indeed, to liberate people from groundless fear for magic.
Crossing Point 